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"Human Supervision and Control in Engineering and Music" |
| Workshop Proceedings | Orchestra Concert | Ensemble Concert | Publications |
About
us |
| Papers |
Topics |
Keywords |
| L. Poundie Burstein | Interrelationships in Beethoven’s Second Symphony |
| Howard Pollack | Aaron Copland's Short Symphony and the Challenge to Human Control and Supervision in Music |
| Lewis Cornwell | Toru Takemitsu’s November Steps |
| Yoichi Nagashima | Visional Legend |
| James L. Alty | Musical Composition as an Engineering Activity |
| Johannes Kretz | „Composing sound“ Basic thoughts towards a refined control of timbre in music |
| Eva Ferková | Dynamic Potential of Harmonic Structures - The Way of Evaluation |
| Eva Ferková | Music - Theoretical Preparation
for Algorithmization of Interactive Harmonic Analysis |
| Anja Fleischer | Position Statement: Discusion Session "Human Supervision and Control in Music" |
| Giovanni De Poli | Analysis and modeling of expressive intentions in music performance |
| Thomas Noll | Modeling Global Musical Structures |
| Shin Maruyama | How is a Symphony Started by the Orchestra? |
| Teresa Marrin Nakra | Translating Conductor’s Gestures to Sound |
| Kia Ng | Music via Motion: Trans-Domain Mapping of Motion and Sound |
| Marcelo M. Wanderley | Gestural Control of Music |
| Philip Zerweck |
Designer´s Notes on
Gestural Control in Music and Engineering |
| Thomas Jürgensohn |
Is Gestural Control in
Automotive Engineering Compatable to Gestural Control of Music? |
| Bozena Kostek | Expert System for Musical Style Recognition |
| Sung-Bae Cho | Inspiration-based Media Retrieval with Interactive Genetic Algorithm |
| Stefan Göller | Visualization and Manipulation of musical content |
| Thomas Hermann | Sound and Meaning in Auditory Data Display |
| Pierre-Yves Rolland | Music Information Retrieval: a brief Overview of Current and Forthcoming Research |
| Alexander Galembo | Perception of Musical Instrument by Performer and Listener (with application to the piano) |
| Alex Kirlik | Entropy Based Measures of Control, Coordination, and Improvisation |
| Kenji Suzuki | Robotic Interface For Embodied Interaction via Dance and Musical Performance |
| Guerino Mazzola | Music Performance and Interpretation |
| Nathaniel Tull Phillips | SOUND ART: Auditorelation |
| Giovanni De Poli | Analysis and modeling of expressive intentions in music performance |
| Hiroshi Tamura | Kansei Information and Kagura in Iwami district |
| Gunnar Johannsen | Human Supervision and Control in Engineering and Music |
| Toshiyuki Inagaki | Supervisory Control in Music and Engineering: Dissimilarities and Their Implications |
| M. M. (René) van Paassen | From the Neuromuscular System to Supervisory Control |
| Johan Stahre | Human Supervision and Control inEngineering and Music |
| Leon Urbas | Real time Dynamic Decision Making in Supervisory Control |
| Gunnar Johannsen | Human Supervision and Control in Engineering and Music |
| Toshiyuki Inagaki | Supervisory Control in Music and Engineering: Dissimilarities and Their Implications |
| Guerino Mazzola | Music Performance and Interpretation |
| Anja Fleischer | Position Statement: Discusion Session "Human Supervision and Control in Music" |
| Thomas B. Sheridan | Musings on Music Making and Listening: Supervisory Control and Virtual Reality |
| Alex Kirlik | Entropy Based Measures of Control, Coordination, and Improvisation |
| Shin Maruyama | How is a Symphony Started by the Orchestra? |
| Rebecca K. and William B. Rouse | Understanding & Supporting Teams in the Performing Arts |